The Lie We Sing
- Naïde Pavelly Obiang

- Jun 13, 2018
- 2 min read
Updated: 7 days ago

Toni Braxton’s song Long as I Live carries a message that many women recognize instantly.
But only if we listen carefully.
The chorus declares a devotion that borders on self-erasure — the promise of “never getting over” a man who has already moved on. I find that part unsettling. There is something dangerous about romanticizing permanent attachment to someone who has chosen another life.
Yet the bridge redeems the song:
“If you can’t be with the one you really, truly love… it’s okay.”
That line feels grown.
Yes, we fight for love when we believe in it. We invest. We endure. We hope. But even sincere relationships do not always survive. Sometimes love exists — and still does not remain.
And when someone insists on leaving, despite our effort, we owe ourselves the dignity of release.
The mind understands this long before the heart agrees.
Love is rarely logical. The heart attaches where it pleases — sometimes to what is unhealthy, unavailable, or unwilling. And when that happens, we confuse intensity with destiny.
We delay decisions.
We compromise standards.
We tie the knots with the wrong person.
We bear children with the wrong partner.
We rearrange our lives around someone who would not do the same.
It is not weakness to love deeply. But it is dangerous to love without discernment.
I believe women possess a quiet strength — the ability to step back, to regain composure, to choose restraint even when emotion is loud. Not because we feel nothing, but because we value ourselves enough not to beg for reciprocity.
It takes discipline to detach from unreciprocated love.
And it is not romantic to claim we will “never get over” someone who does not want us. That is not loyalty. That is clinging dressed up as devotion.
Even in more complicated situations — when the connection feels mutual but the man is unavailable — distance becomes self-respect. Loving from afar may feel painful, but it can be an act of maturity.
The alternative is chaos.
The alternative is becoming the hidden woman, the waiting woman, the compromising woman.
And that erodes something essential.
Being alone is not the tragedy we were taught to fear. Staying where we are unwanted is.
If someone rejects you, it does not diminish your value. It clarifies alignment.
Not every love story is meant to last. But every woman deserves a love that chooses her openly.
So perhaps the song’s greatest truth is not in its dramatic chorus, but in its quiet bridge:
If you can’t be with the one you love…
It’s really, truly okay.
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